簡(jiǎn)介：When an intelligence agent offers a washed-up DJ the opportunity to take down his young rival, he sees it as a chance to return to the top with a banger.

簡(jiǎn)介：改編自田村結(jié)衣的同名漫畫，描寫以超不幸體質(zhì)的男高中生和好操心的女高中生為首的同學(xué)們的日常生活。八木勇征飾演超級(jí)倒霉體質(zhì)的高中生矢野剛，池端杏慈飾演愛操心的班長(zhǎng)吉田清子，Travis Japan中村海人飾演運(yùn)動(dòng)全能、學(xué)校里最受歡迎的男生羽柴雄大。

簡(jiǎn)介：

簡(jiǎn)介：改編自德博拉·利維所著布克獎(jiǎng)提名小說，講述一對(duì)陷入困境的夫婦和他們的青少年女兒去度假，生活被漂浮在別墅泳池里的裸體陌生人改變了。小說設(shè)定在1994年夏天，頗有名望的詩(shī)人喬·雅各布斯和他的妻子伊莎貝爾、女兒妮娜以及他們的朋友米切爾和勞拉夫婦在法國(guó)南部的避暑別墅度假，當(dāng)喬的粉絲凱蒂出現(xiàn)后，寧?kù)o生活被打破，她對(duì)喬的迷戀和性吸引力是顯而易見的，但伊莎貝爾還是邀請(qǐng)她留下來。伊莎貝爾是一名駐外記者，她的工作一再使她遠(yuǎn)離家人，她已經(jīng)逐漸容忍喬持續(xù)的不忠。與此同時(shí)，凱蒂的心理問題越來越明顯，而唯一敢于解決問題的卻是妮娜。接近尾聲時(shí)，凱蒂似乎準(zhǔn)備自殺，但最終卻是喬自殺了。事實(shí)證明，凱蒂的精神問題只是喬更加根深蒂固的抑郁癥的反映。

簡(jiǎn)介：His name is “Geun-seong” (which means “perseverance” in Korean), but he lacks perseverance in his actions. Working as a medical device sales representative, he has never achieved even an average performance. He has no intention of making an effort and wants to become famous through internet live streaming to make a lot of money, just like everyone else. Also, he is a twisted individual who gets entangled in other people’s affairs. At a longawaited high school reunion, Geun-seong encounters Jong-man, who has become famous as a VJ, and he exposes the school violence he experienced, which gained him instant fame.                                                                    　　The movie follows Geun-seong’s journey of descent into wickedness, taking advantage of someone’s weakness. It portrays extreme selfishness in believing there is no problem as long as he can succeed, even if it means trampling over others. This extreme greed is not limited to Geun-seong. As a result of Geun-seong’s actions, including Jong-man’s career being jeopardized, everyone in the film is only concerned about themselves. What is happening to the world? Geun-seong adopts an attitude that he will do anything for fame to earn a large sum of money. The director focuses on Geun-seong’s face in extreme situations, without any sympathy or affection towards him. You might catch a glimpse of your own face there, and sense the tragedy of this era. (HUH Namwoong) 

簡(jiǎn)介：Bach et Bottine (1986) 重置版